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entries
Direct-taking
Sunday, January 10, 2010 @ 8:26 PM

Hey :]

If bms can recall our discussion before the start of the year (sorry to those who couldn't make it), I think the most important thing for all of us to realise is being a good direct goes beyond the tutoring of technics and playing. We should work on sowing seeds of passion for band in the directs' hearts, and that may be the most vital but often neglected part of being a good direct. I do not mean that teaching technical fingerings, etc. are less important - they are just as important, but sometimes we have to remember that those things are not the only things that matter.

A band is a group of people that keep together to make music together. If this group of people do not share the same level of passion for what they're doing, the music produced will definitely be of a lower quality than when they are equally passionate; even if techniques of band mates were the same. We can somewhat keep a distance from our directs as we need to maintain a disciplinary role, but that doesn't mean we need to be forbiding and scary to make sure they practice. Be stern when necessary, but be kind and firm for most of your time together. Don't make her become fearful of you, that may just smother that little spark of passion she's starting to feel for band.

We agreed that our ultimate goal is to have the directs respect us and thus listen to us. They shouldn't be listening to us because we have the authority, or because they fear us. There's leadership involved here too; being a good leader means having people respect you and thus listen to you, and not listen to you because you have the leadership role.

I suppose finding the right measure to take is difficult. Looking to a good teacher as guiding mark may make things easier. Personally I look to my theory teacher; bms can always find your own someone (a good teacher, etc.) to look to :] Asking our seniors for advice when teaching gets tough helps too, given their experience.

I found a book on educating yound teens another day, and find certain things very relevant. I shouldn't go on about the book here but if you face any problems in future, maybe you can come to me and I can give some advice on what to do :]

Thank you to Yi Xian, Ying Qin and Celine for bringing up the more technical side of direct-taking. What you pointed out helped a lot in setting realistic expectations for our directs :]

Enjoy your OBS!

L, keiko
p.s. I decided to post it here at batch blog because this is something important for us to take note yea :]

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Raffles Girls' School Symphonic Band Batch '11

Bandxxxx aka Bandages // Bandeaus

I eat, sleep, play. I make noise, I watch tv, I use the computer.
I hail from planet Earth, while my friends are from Mars and Venus. We live happily ever after in Singapore.
North South East West.

I’M MADE UP OF:

MR ONGO DE CONGO DE BONGO

MR TAKEHIRO OURA! :D

Fluboes
Duoni (Flute) 12th March
102/202/305
Gloria (Oboe) 21st Feb
110/210/304
Keiko (Flute) 31st Aug
101/201/303
Sussan (Flute) 1st Aug
108/208/314
Ye Tong (Flute)

Clarinets
Cassandra 16th Dec
102/202/310
Jessica 11th Dec
106/206/315
May 4th May
101/201/308
Wei Lin 9th April
103/203/306
Ying Qin 24th May
101/201/313

SLWWS
Celine (Tenor Sax) 11th Jan
105/205/304
Vivian (Alto Sax) 10th Aug
109/209/301

Trumpets
Jamie 16th May
104/204/313
Wanyi 27th April
105/205/314

Horn(s)
Min Yi 23rd May
107/207/303

Trombones
Hui Jun 25th July
111/211/315
Zheng Ning 20th April
104/204/313

Eupho(s)
Hazel 29th June
113/213/310

Basses
Chong Rong (Tuba) 16th March
101/201/313
Yi Xian (String Bass) 20th Feb
113/213/301

Percussion
Aliza 11th August
104/204/315
Xing Ern 18th July
108/208/314

TUTTI <333


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Credits
This blogskin is proudly brought to you by ilovexoxos with the basecodes from everlastingroses! with the background from doughtnutcrazy and icon from here.

Links
{} RGSSB
{} Aliza
{} Cassandra
{} Celine
{} Duoni
{} Hazel
{} Jamie
{} Min Yi
{} Sussan
{} Wanyi
{} Ying Qin
{} Zheng Ning
{} RIMB Batch'11
{} Mr. Oura
{} Batch Forum

Pieces


I've played pieces like...

Recruit Band

Ye Banks And Braes O' Bonnie Doon
Mary Had A Little Lamb
Foundation Of Performance
Ode To Joy
Furusato
Chorus Of Frogs
Frere Jacques
Aura Lee
When The Saints Go Marching In
Danzon
First Chorales For Band (James Swearingen)
Recess Rock

Main Band

Dawn of a New Day
Overture For Winds
Selections from 'Cats'
Turandot (Giacomo Puccini)
Overture No. 1 For Wind Bands
Brazil
Jurassic Park
Serenade
Amigos Para Siempre
I Got Rhythm! (George Gershwin)
Imperatrix (Alfred Reed)
PERSEUS: A Hero's Quest in the Heavens (Satoshi Yagisawa)
Theme from Lawrence of Arabia (Maurice Jarre, arr. Alfred Reed)
Dance of the Jesters
Disney Classics Revue
苏州夜曲
Tinkerbell - To The Fairies They Draw Near
Tinkerbell - Fly To Your Heart
Tinkerbell - To The Fairies They Draw Near, Part II
Tinkerbell - End Credit Score Suite
Fly High
Silvercrest (James Swearingen)
Tinkerbell - Romanza
A Sunrise Impression

My current pieces...

The Bells of Sagrada Familia - Satoshi Yagisawa

Duties


(we should change this!) Make lots of noise
Twilight series obsessions
drama serial obsessions
Gossip about our DIRECTS<3